<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Stereo Subversion &#187; William Trinity</title>
	<atom:link href="http://www.stereosubversion.com/author/williamtrinity/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.stereosubversion.com</link>
	<description>Meaningful Culture Exists</description>
	<lastBuildDate>Wed, 17 Mar 2010 04:00:11 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Gil Scott-Heron &#8211; I’m New Here</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/gil-scott-heron-i%e2%80%99m-new-here-03-05-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/gil-scott-heron-i%e2%80%99m-new-here-03-05-2010/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 15:00:58 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[spoken word]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9362</guid>
		<description><![CDATA[It’s been almost four decades since Gil Scott-Heron told us that the “revolution will not be televised.” Since then more than one revolution has been broadcast over the airwaves, including the diminishing relevance of the airwaves to the rise of the Internet waves. The world has changed since then, but time hasn’t erased those words [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/gil-scott-heron-i%e2%80%99m-new-here-03-05-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Buzzcocks &#8211; A Different Kind of Tension (Reissue)</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/buzzcocks-a-different-kind-of-tension-reissue-02-25-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/buzzcocks-a-different-kind-of-tension-reissue-02-25-2010/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 13:15:13 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Punk]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9143</guid>
		<description><![CDATA[In 1979, punk rock music was about to experience a landmark moment that would not only change the world of punk but the entire landscape of pop music. The movement that broke into mainstream culture thanks to pioneers like The Clash, Sex Pistols, Ramones, and Patti Smith would go through a transformation that ushered in [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/buzzcocks-a-different-kind-of-tension-reissue-02-25-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adrian and the Sickness &#8211; B.F.D</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/adrian-and-the-sickness-b-f-d-02-18-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/adrian-and-the-sickness-b-f-d-02-18-2010/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 13:23:25 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[Rock]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9016</guid>
		<description><![CDATA[Way back in 2008 when I started this “music blogging” thing, one of the first gigs I scored was reviewing a live show from all-female trio Adrian and The Sickness for a local Austin site. It was only about six months since I&#8217;d moved to Austin, and I had yet to fully explore the local [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/adrian-and-the-sickness-b-f-d-02-18-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nirvana &#8211; Bleach 20th Anniversary Deluxe Edition</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/nirvana-bleach-20th-anniversary-deluxe-edition-11-25-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/nirvana-bleach-20th-anniversary-deluxe-edition-11-25-2009/#comments</comments>
		<pubDate>Wed, 25 Nov 2009 13:43:21 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Grunge]]></category>
		<category><![CDATA[Seattle]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=8071</guid>
		<description><![CDATA[At the beginning of Nirvana’s iconic MTV Unplugged performance, Kurt Cobain modestly warns, “This is from our first album. Most people don’t own it,” before starting “About a Girl.” But judging by the crowd reaction from the opening chord, many people did know it. At the time of that performance, the seemingly out-of-nowhere success of [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/nirvana-bleach-20th-anniversary-deluxe-edition-11-25-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jemina Pearl &#8211; Break It Up</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/jemina-pearl-break-it-up-11-18-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/jemina-pearl-break-it-up-11-18-2009/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 13:10:36 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Brooklyn]]></category>
		<category><![CDATA[garage punk]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=7917</guid>
		<description><![CDATA[Looking at the imagery and credits on her first solo album, you get the idea that ex-Be Your Own Pet vocalist Jemina Pearl is swinging for the fences. The cover photo, one of a Pearl standing with a come-hither pose is stylistically similar to countless other album artwork of divas past (i.e. Mariah Carey, even [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/jemina-pearl-break-it-up-11-18-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gossip &#8211; Music for Men</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/gossip-music-for-men-11-11-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/gossip-music-for-men-11-11-2009/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 13:14:39 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[disco-punk]]></category>
		<category><![CDATA[Portland]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=7773</guid>
		<description><![CDATA[On the surface, Portland band Gossip has little in common with North Carolina’s The Avett Brothers. While both appeal to a punk audience, they do it in different ways: Gossip with their disco flavor, the Avetts with an alt-country twang. The Avetts are a reserved group of fellows, and The Gossip is headed by the [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/gossip-music-for-men-11-11-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lights &#8211; The Listening</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/lights-the-listening-11-02-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/lights-the-listening-11-02-2009/#comments</comments>
		<pubDate>Mon, 02 Nov 2009 15:02:11 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[canada]]></category>
		<category><![CDATA[electro-pop]]></category>
		<category><![CDATA[Synth-pop]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=7689</guid>
		<description><![CDATA[In the video for “Savior,” Valerie Poxleitner sits in on a bed armed with a keytar. Her autotuned pixie voice pleads, “I’m a bit of a manic when it’s not as I plan it/ Cause I start losing my head and then I get up in a panic.” The lyrics could be menacing, or at [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/lights-the-listening-11-02-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Joss Stone &#8211; Colour Me Free</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/joss-stone-colour-me-free-10-27-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/joss-stone-colour-me-free-10-27-2009/#comments</comments>
		<pubDate>Tue, 27 Oct 2009 13:51:29 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[soul]]></category>
		<category><![CDATA[UK]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=7517</guid>
		<description><![CDATA[Before Amy Winehouse made it cool for a “white girl” from the UK to sound like a black R&#38;B singer, the 15-year old Joss Stone had already souled out The White Stripes’ “Fell In Love With A Girl” while being produced by The Roots. She may have set the precedent and garnered the commercial success, [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/joss-stone-colour-me-free-10-27-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Raveonettes &#8211; In and Out of Control</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/the-raveonettes-in-and-out-of-control-10-14-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/the-raveonettes-in-and-out-of-control-10-14-2009/#comments</comments>
		<pubDate>Wed, 14 Oct 2009 17:30:10 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Denmark]]></category>
		<category><![CDATA[electrorock]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Synth-pop]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=7415</guid>
		<description><![CDATA[In and Out of Control would seem to portray the natural balance of concepts like up and down, good and evil, life and death. The Raveonettes instead decide to focus on the out-of-control part, greatly leveraging the content to those themes of the darker side. Just a glance at the track listing clearly gives the [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/the-raveonettes-in-and-out-of-control-10-14-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bell Horses &#8211; This Loves Last Time</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/bell-horses-this-loves-last-time-10-13-2009/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/bell-horses-this-loves-last-time-10-13-2009/#comments</comments>
		<pubDate>Tue, 13 Oct 2009 13:11:24 +0000</pubDate>
		<dc:creator>William Trinity</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[Electronica]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=7296</guid>
		<description><![CDATA[With their debut album This Loves Last Time, Bell Horses shoot to compose an album that bounces between genres while staying steady in creating one unified sound. Synth-driven beats, acoustic guitars, and haunting, folk-oriented vocals are blended together to create atmospheric, ambient songs.
This fusion is best utilized on the opening song “Still Life.” With a [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/bell-horses-this-loves-last-time-10-13-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
