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	<title>Stereo Subversion</title>
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	<description>Meaningful Culture Exists</description>
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		<title>The Antlers</title>
		<link>http://www.stereosubversion.com/features/the-antlers-03-17-2010/</link>
		<comments>http://www.stereosubversion.com/features/the-antlers-03-17-2010/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 04:00:11 +0000</pubDate>
		<dc:creator>Gregory Brown</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Brooklyn]]></category>
		<category><![CDATA[Indie Rock]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9401</guid>
		<description><![CDATA[By any measure, The Antlers had an amazing 2009. Recording and distributing Hospice as an independent release, the album quickly sold out of stock, received stellar reviews and got the group signed to Frenchkiss Records, who then re-mastered and re-released the record to ongoing critical praise. Since then the Brooklyn based trio has kept busy [...]]]></description>
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		<title>Nice Nice &#8211; Extra Wow</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/nice-nice-extra-wow-03-16-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/nice-nice-extra-wow-03-16-2010/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 15:17:36 +0000</pubDate>
		<dc:creator>Jack Hanlon</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[improvisational]]></category>
		<category><![CDATA[oregon]]></category>
		<category><![CDATA[Portland]]></category>
		<category><![CDATA[Psyche-folk]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9367</guid>
		<description><![CDATA[In 2010 we were supposed to have flying cars, supposed to have reached Jupiter via phallus-shaped spaceship and supposed to be eating liquified ahi tuna steak out of toothpaste tubes. But here we are, humanity still cruising shabby Carl’s Jr. parking lots in Chevy Nova’s with missing hubcaps and the only things that seem to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sean Hayes &#8211; Run Wolves Run</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/sean-hayes-run-wolves-run-03-16-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/sean-hayes-run-wolves-run-03-16-2010/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 13:20:33 +0000</pubDate>
		<dc:creator>Alma Bahman</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Folk]]></category>
		<category><![CDATA[San Francisco]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9360</guid>
		<description><![CDATA[The scene is San Francisco. The band plays clean, swift, grasping music while the singer, a slightly scruffy man with wisdom in his face, performs. His eyes are closed as he plays the guitar, mostly motionless except for the passage of his hands and the occasional swaying to the melody. His voice is somewhat high [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horse Feathers- Curs In The Weeds</title>
		<link>http://www.stereosubversion.com/downloadable/horse-feathers-curs-in-the-weeds-03-15-2010/</link>
		<comments>http://www.stereosubversion.com/downloadable/horse-feathers-curs-in-the-weeds-03-15-2010/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 20:04:06 +0000</pubDate>
		<dc:creator>Gregory Brown</dc:creator>
				<category><![CDATA[Downloadable]]></category>
		<category><![CDATA[Acoustic]]></category>
		<category><![CDATA[indie folk]]></category>
		<category><![CDATA[Kill Rock Stars]]></category>
		<category><![CDATA[Portland]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9509</guid>
		<description><![CDATA[As SXSW continues to roll onwards there are still a multitude of shows to see and music to hear, unfortunately, I live in San Francisco. Despite this regional dislocation, the seminal Austin music festival doesn&#8217;t have to be entirely off limits. Perusing various show listings, set times, and free happy hour sets, one can almost [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Bright Eyes &amp; Neva Dinova &#8211; One Jug of Wine, Two Vessels (Re-Issue)</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/bright-eyes-neva-dinova-one-jug-of-wine-two-vessels-re-issue-03-15-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/bright-eyes-neva-dinova-one-jug-of-wine-two-vessels-re-issue-03-15-2010/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 14:32:58 +0000</pubDate>
		<dc:creator>Darcy McLaughlin</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[indie folk]]></category>
		<category><![CDATA[omaha]]></category>
		<category><![CDATA[Rock]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9493</guid>
		<description><![CDATA[What’s in a name? Originally released in 2004, One Jug of Wine, Two Vessels represented not just a traditional split album, but a collaboration between two of the burgeoning Omaha indie scene&#8217;s more prominent members, Bright Eyes and Neva Dinova. The title summed up the concept of this record succinctly. This was one disc, with [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Standard Fare &#8211; The Noyelle Beat</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/standard-fare-the-noyelle-beat-03-15-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/standard-fare-the-noyelle-beat-03-15-2010/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 13:56:44 +0000</pubDate>
		<dc:creator>Marissa Oberlander</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[indie pop]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9266</guid>
		<description><![CDATA[The Noyelle Beat owes its name to Noyelles Sous Lens, France, the festival site at which Standard Fare’s sound “came together.” The songs played at that magical place became the group’s first full-length release. Recorded in just six days, The Noyelle Beat has the world-weary, teenage angst of a 1980’s John Hughes film. Blending romantic [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Whigs</title>
		<link>http://www.stereosubversion.com/features/the-whigs-2-03-15-2010/</link>
		<comments>http://www.stereosubversion.com/features/the-whigs-2-03-15-2010/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 04:00:17 +0000</pubDate>
		<dc:creator>Alec Wooden</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Athens]]></category>
		<category><![CDATA[Georgia]]></category>
		<category><![CDATA[Rock]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9389</guid>
		<description><![CDATA[The January 28, 2008 episode of The Late Show with David Letterman wasn’t noticeably different than any other night &#8212; the first 56 or so minutes, anyway. That’s because the last four minutes introduced the public at large to an Athens trio packed with rock potential. At Letterman’s cue, The Whigs took the late night [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Garotas Suecas-Codinome Dinamite</title>
		<link>http://www.stereosubversion.com/downloadable/garotas-suecas-codinome-dinamite-03-12-2010/</link>
		<comments>http://www.stereosubversion.com/downloadable/garotas-suecas-codinome-dinamite-03-12-2010/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:12:36 +0000</pubDate>
		<dc:creator>Mark Mansfield</dc:creator>
				<category><![CDATA[Downloadable]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[world]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9453</guid>
		<description><![CDATA[Hot, Hot, Hot! Brazil doesn&#8217;t have a reputation without reason, and Garotas Suecas are a great example of that reason. It&#8217;s got kickin&#8217; rhythms, Portuguese singing, a party atmosphere, and a rock n&#8217; roll attitude. They were one of Spin Magazine&#8217;s 20 Must-Hear Artists from SXSW 2009 and it&#8217;s easy to see why. The press [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Glossary &#8211; Feral Fire</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/glossary-feral-fire-03-12-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/glossary-feral-fire-03-12-2010/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 13:50:37 +0000</pubDate>
		<dc:creator>Ben Millikan</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Country]]></category>
		<category><![CDATA[Murfreesboro]]></category>
		<category><![CDATA[Southern Rock]]></category>
		<category><![CDATA[Tennessee]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9357</guid>
		<description><![CDATA[Living in Southern California for one’s entire life, it’s easy to become content with the jadedness of a particularly contrived music bubble. We’re typically prescribed an all too familiar dosage of pop, modified forms of rock, the newest variation of hardcore, yet another “indie” band, and never once question why it all starts to sound [...]]]></description>
		<wfw:commentRss>http://www.stereosubversion.com/reviews/album-reviews/glossary-feral-fire-03-12-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Nocando &#8211; Jimmy the Lock</title>
		<link>http://www.stereosubversion.com/reviews/album-reviews/nocando-jimmy-the-lock-03-12-2010/</link>
		<comments>http://www.stereosubversion.com/reviews/album-reviews/nocando-jimmy-the-lock-03-12-2010/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 13:48:54 +0000</pubDate>
		<dc:creator>Alex Wigglesworth</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Hip-hop]]></category>
		<category><![CDATA[Los Angeles]]></category>

		<guid isPermaLink="false">http://www.stereosubversion.com/?p=9345</guid>
		<description><![CDATA[Spinning L.A. rapper Nocando’s major label debut, Jimmy the Lock, is like listening to the ramblings of an articulate old friend. Some tales are genius, some are superfluous, but all are well-told with equal parts intimacy and performance. Nocando’s rhymes are clearly enunciated and cleverly delivered, his lyrics keeping listeners engrossed like the paragraphs of [...]]]></description>
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